The Sea Concerto

Flux Theatre Ensemble presents
the World Premiere of

The Sea Concerto
by Corinna Schulenburg
co-directed by Kelly O’Donnell and Heather Cohn


Jeffrey and Paula Gural Theatre, A.R.T./New York Theatres, 502 West 53rd St, NYC 10019



The Story

The Sea Concerto follows Lynnie, a poet who has lost her creative voice. Now, a mysterious letter asks her to return to her childhood home to reclaim something of her father’s. Will it help explain why he gave up music? Will that answer help her write again? And can she ever forgive the betrayal that tore her family apart? In the spirit of classic memory plays like The Glass Menagerie and Side Man, The Sea Concerto explores the legacies of pain and resilience that we inherit, pass on, and sometimes let go.


What’s a Living Ticket? This production continues our Living Ticket initiative, which makes Flux’s shows free for all to attend. Well, not exactly free: it costs a lot to create these productions, and we want to provide our team a living wage. So while you don’t have to pay anything, we encourage you to support Flux with a donation when you reserve your Living Ticket. To learn what it would take for us to pay a living wage, check out our Open Book program, which shares our production budget and suggests levels of giving.



The Cast


Corey Allen is Eric

Share a favorite memory of the ocean. I grew up in Southern California so there are MANY, but for today my favorite memory of the sea would have to be trekking from the Greek mainland to the Cyclades for the first time. The waters of the Aegean are beautiful. There’s so much history and culture in the region and I had a magical time there.

When you visit your childhood home, what’s the one thing you always do? Visit my favorite jetty at night. There’s nothing like seeing the moonlit waves crashing against the rocks and shoreline.

Bio: With Flux, AM I DEAD?. REGIONAL: Shakespeare Theatre of DC: Macbeth; Huntington Theater Company: A Raisin in the Sun, Ma Rainey’s Black Bottom; Pioneer Theatre Company: Two Dollar Bill, A Few Good Men; Great River Shakespeare Festival: Othello, Twelfth Night, A Midsummer Night’s Dream; Repertory Theater of St. Louis: The Fall of Heaven; Orlando Shakespeare Theatre: Best of Enemies. FILM: Proximity, Lost & Found TELEVISION: Manhattan, Power, The Breaks, Bull WEB: Henry IX; OTHER: Audible & Recorded Books Narrator; TRAINING: University of Illinois: MFA

Greg Oliver Bodine is Jimbo

Share a favorite memory of the ocean. Surf-casting with my brother on a deserted beach in Montauk at 7am. We never caught any fish…and we never cared.

When you visit your childhood home, what’s the one thing you always do? I let go…it’s just a house. Memories are what count.

Bio: Greg Oliver Bodine is delighted to make his debut with Flux Theatre Ensemble in this production! Notable theatre credits include: Salda / Baruch in UNIVERSAL ROBOTS at The Sheen Center (Gideon Productions), Third Man / Doctor in THE BALTIMORE WALTZ (Retro Productions) and Montresor / Alfred in his own solo adaptation of two Edgar Allan Poe short stories, POE, TIMES TWO (three 2012 NYIT Award nominations and “Best of The 2016 Capital Fringe” -DC Metro Theater Arts / “Pick of The Capital Fringe” -DC Theatre Scene. Training: M.F.A., UNC-Chapel Hill. *(member of AEA)

Emily Hartford is Penny

Share a favorite memory of the ocean. My mom grew up next to the ocean, and my siblings and I were never very far from it, either. When we were kids we’d spend a lot of time at my grandparents’ home on Martha’s Vineyard (just a short drive and ferry ride, by the way, from Sea Concerto’s beach). My grandmother had her own spot on the beach down the street from their home, where she spent every day of every summer—straight down from the entrance, tucked against the jetty, just at the edge of the tide. She spent 65 summers in that spot, as far as I know, and I got to spend a small fraction of those there with her. It’s a powerful place for me. Last year, two days before I got married on Martha’s Vineyard, a tropical storm battered the Cape and Islands. After accepting that there was a limit to the wedding-crisis-management one could do about canceled boats and delayed flights, I took a walk in the storm. I wound up at the beach, in front of Memere’s spot. I really wish that she were still around—to know Ned…to know me as I’ve become. To understand how well I love the home she created on this island. But standing there in her spot, I was pressed and filled by the force of the wind and the ocean and the rain. I was ready to greet my own new frontiers, full of the legacy of the ocean-women who got me here.

When you visit your childhood home, what’s the one thing you always do? Share a few beers with my mom.

Bio: Emily Hartford is a director, actor, and puppet designer—and a Creative Partner with Flux Theatre Ensemble. She is thrilled to be acting in her first Flux production! With Flux, Emily directed Rizing, by Jason Tseng, as well as short works for Breathe Free and #SpeakUp: The Street Harassment Plays. Assistant Director for Flux’s Jane the Plain and Salvage. Emily has also appeared and/or designed puppets with Adaptive Theatre Company, Drama of Works, Messenger Theatre Company, MT Works, Nosedive Productions, Piehole, Rabbit Hole Ensemble, Radiotheatre, Urban Stages, and Wellfleet Harbor Actors Theatre. Directing outside of Flux includes Ned Massey’s The Battles.

John Lenartz is Chappy

Share a favorite memory of the ocean. At about 13 years old I was invited for a week’s venture on a US Navy Submarine Tender from Charleston, SC to Ft. Lauderdale, FL. I stayed in my Dad’s tiny cabin, he was a Lieutenant Commander and the Chief Engineering Officer aboard. I got full run of the ship and had a blast going by myself and a few other kids exploring the vessel and watched the ocean go by for miles on end.

When you visit your childhood home, what’s the one thing you always do? I don’t have a childhood home since we moved around so much growing up. My Mom, my only parent surviving, lives in Augusta, GA now, near my brother Bill. One thing I’ve consistently done when I’ve visited is dig through my Mom’s paperwork, photos, and memorabilia looking for genealogy or family history items that I may have overlooked the last time.

Bio: Broadway – Inherit the Wind (Ensemble) National Actors Theatre. Off-Broadway – The Idiot (Prince Myshkin) Manhattan Ensemble Theatre. New York – Tartuffe (Orgon), Entertaining Mr. Sloane (Kemp), The Resistible Rise of Arturo Ui (Dogsborough/The Actor) Phoenix Theatre Ensemble; The Texas Trilogy (Col. J.C. Kincaid) ReGroup Theatre; Under Milkwood (Waldo/Ensemble), Much Ado About Nothing (Dogberry), Jean Cocteau Repertory. Regional & National Tours – Macbeth (Macbeth) National Shakespeare Company; Camelot (Arthur), Henry V (Henry) – Texas Shakespeare Festival; Lombardi (Lombardi) Depot Theatre; To Kill A Mockingbird (Atticus Finch) Hangar Theatre; The Grapes of Wrath (Jim Casy) Arkansas Repertory. John is proprietor of a wine/liquor shop in Windsor Terrace, Brooklyn. Visit our website at!

Morgan McGuire is Lynnie

Share a favorite memory of the ocean. My father’s family lives in this magical place in the very most north western tip of California where the redwoods meet the sea. For most of my childhood my grandparents farm was isolated and nestled between groves of evergreens but only a mile from the beach. It has this special smell of salt and wood and dirt that is intoxicating and at night the fog horn from the harbor would rhythmically lull you to sleep.

When you visit your childhood home, what’s the one thing you always do? They don’t live there anymore. But they do live in a very magic place on a hill with much better sunsets and so I guess I make it a point to watch those.

Bio: Morgan McGuire is originally from the foothills of the Sierra Nevada, is a Brooklyn based actress and playwright. She received her Bachelor of Fine Arts from Marymount Manhattan College. Recent acting credits include: Exit Man, TRAPPER, Cul-de-Sac, Film: Camp Wedding, Takers, Unbelievers. To find out more about her visit:

Alisha Spielmann is Janet

Share a favorite memory of the ocean. I’ll give you three: my sister getting married, the feeling the ocean has always given me of being so wonderfully and fantastically minuscule, and whale watching. Because I love whales. 

When you visit your childhood home, what’s the one thing you always do? I would always love getting to play (and take a selfie) with our family dog Choxie the minute I got home. And I most definitely always take a moment and look up at the stars in our backyard. You can actually see them there in Minnesota. 

Bio: Alisha Spielmann is a Creative Partner of Flux and previously seen in Am I Dead, World Builders, Rizing, Jane the Plain, and Sans Merci. Other NYC Theatre credits include: The Honeycomb Trilogy: Blast Radius (Gideon Productions); The Runner Stumbles, Dear Ruth, The Desk Set (Retro Productions); Native Speech, All’s Well That Ends Well, Love In The Insecurity Zone (Boomerang Theatre Company); Bus Stop, The Learned Ladies, As You Like It (The Gallery Players). Regional Theatre credits include: As You Like It, The Christmas Carol (The Guthrie Theater). Film, TV, and Streaming credits include: Producing Juliet, We Be Nurses, The Moose Head Over The Mantle, A Crime To Remember, Love Will Out, and New Friend. A native Minnesotan, Alisha received her BA in Music and Theater from St. Olaf College and is a proud member of Actors Equity Association.


 The Creative Team

Corinna Schulenburg, Playwright

Share a favorite memory of the ocean.  You mean other than all the things that are in this play? Hmm.  Maybe it’s easier for me to talk about the Pacific because when it’s the Atlantic, I need like a whole play to talk about it. So the Pacific is all right, too, as it turns out. A few years back we visited family near San Francisco and went to a beach where there must have been 20-30 whales putting on a show not far off shore. That was really something. You couldn’t believe it was happening, and it kept on happening.

When you visit your childhood home, what’s the one thing you always do? Games, games, games. My family loves games. How else do people even talk to each other? But I also offer up some brooding to the pond behind our house, and mourn the scar where the basketball hoop once stood.

Bio: Corinna is a co-founder of Flux, where his work as a playwright includes: Salvage, Jane the Plain, Honey Fist, DEINDE, Jacob’s House, Other Bodies, The Lesser Seducations of History, and Riding the Bull. As an actor with Flux, she has appeared in World Builders, Hearts Like Fists, and The Angel Eaters Trilogy. His plays have also been produced and developed at The Lark, Bay Area Playwrights Festival, Ensemble Studio Theatre, Chelsea Playhouse, Theater for the New City, Portland Stage Company, Dayton Playhouse, Colonial Players, Pennsylvania Shakespeare Festival, Contemporary Stage Company, Abingdon Theater Company, Gideon Productions, New Amerikan Theatre, Penobscot Theatre, Impetuous Theater Group, Decades Out, Soundtrack Series, Reverie Productions, Wolf 359, Blue Box Productions, Piper McKenzie, Boomerang Theatre Company, Adaptive Arts, Hall High School, Nosedive Productions,  MTWorks, Purple Repertory, Valley Repertory Company, The Brick Theater, CAPS LOCK Theatre, Chameleon Theatre Circle, Retro Productions, Elephant Run District, and TheatreLAB. She was a 2013-14 Lark Playwrights Workshop Fellow. Her work has also been published in New York Theater Review, Stage and Screen, Indie Theater Now, Midway Journal, NoPassport Press, and in two issues of Carrier Pigeon.

Heather Cohn, Co-Director

Share a favorite memory of the ocean.  I’ve never cared much for New Year’s celebrations…but for the new millennium, I was told that the first place the sun would rise in the new millennium in the U.S. was at the easternmost beach on Nantucket. So, that’s where I went. There were three of us, bundled and bleary-eyed, walking through the cold sand at dawn to watch the sun rise over the horizon on the first morning of the new millennium. We sat, huddled together under blankets in silence until the sun was fully up. Then we ate donuts and had coffee from a thermos. We probably talked about things, but I don’t remember the conversation, just the peace and stillness. In that moment, there was no Y2K, no worries of the year to come, no stress, no time.

When you visit your childhood home, what’s the one thing you always do? My mom refers to my childhood bedroom as “The Heather Museum” because it is a time capsule of space with pre-puberty Heather chosen wallpaper (pastel kitty cats); keepsakes from all the various musicals and plays I did in middle school and high school (the most prominent of which is a 4 x 4 foot sculpted styrofoam carousel horse from CAROUSEL); stuffed animals, fairytales, and school notebooks galore. But in a small tupperware box with a green lid is a collection of folded square paper notes from elementary & middle school friends. Each time I return home, I open the box and read one of those notes, and remember.

Bio: Heather Cohn is a co-founder and the Producing Director of Flux Theatre Ensemble. For Flux: Kevin R. Free’s AM I DEAD?, Johnna Adams’ Sans Merci, Corinna Schulenburg’s Salvage, DEINDE, The Lesser Seductions of History (nominated for Outstanding Direction, New York Innovative Theatre Awards), and Other Bodies (FringeNYC Excellence Award for Outstanding Direction), Kristen Palmer’s Once Upon a Bride There Was a Forest, Erin Browne’s Menders, and numerous staged readings. Outside of Flux: Assistant Director to Austin Pendleton on Johnna Adams’ Gidion’s Knot, Dark Water (MTWorks), The Stranger to Kindness (Outstanding Overall Production of a One-Act, Planet Connections Theatre Festivity Awards, also nominated for Outstanding Direction Award); Rosie The Retired Rockette (EstroGenius Festival); Blood  (EstroGenius Festival); The Ballad of Lulu and Dad (Artistic New Directions); and numerous staged readings for companies such as: Rattlestick Playwrights Theater, Cherry Lane Theatre, Lark Play Development Center, The Brick, On the Square Productions, MTWorks, The Platform Group; Crossroads Theatre Project, and CAPS LOCKS THEATRE.

Kelly O’Donnell, Co-Director

When you visit your childhood home, what’s the one thing you always do? Sea Isle City (or Little Ireland) with my huge extended family, trying to “dig to China” with a plastic shovel, playing under the boardwalk in Wildwood NJ with my best friend who died too young, my mother and I watching dolphins hunt in Cape May, many trips up and down the Pacific Coast Highway with my Pop and some of my most cherished friends, collecting “Cape May diamonds” with strangers, standing alone on the cliffs of Inis Mór, walking along the P-Town shore at night with my wife. All of these things feel like home.

When you visit your childhood home, what’s the one thing you always do? I tip my hat to the ghosts and demons of my past. Then I usually get a soft pretzel with mustard.

Bio: Kelly O’Donnell is a co-founder of Flux and has directed many of their shows including World Builders by Johnna Adams, Marian, or the True Tale of Robin Hood and Hearts Like Fists by Adam Szymkowicz, Jane the Plain by Corinna Schulenburg, and Dog Act by Liz Duffy Adams among others. She directs regularly in college and conservatory theatre programs such as The Lee Strasberg Conservatory (Ajax in Iraq, Our Lady of 121st Street), NYU Tisch School of the Arts (A Flea in Her Ear), and Lafayette College (Tartuffe). She is a regular teaching artist with Stages on the Sound where she helps bring collaborative playmaking training to grades 1 through 8 in parochial schools around Brooklyn and Queens. Other directing work includes Romeo and Juliet, A Midsummer Night’s Dream (Stages on the Sound), Tiny Houses by Stefanie Zadravec (New Dramatists Playtime Lab), Colchester by Adam Szymkowicz (Portland Center Stage JAW), 3Christs (Peculiar Works Project), and Full of Grace (Rough Draft Festival).

Will Lowry, Scenic Designer

Share a favorite memory of the ocean. I spent three summers working at The Lost Colony in the NC Outerbanks. The theatre was right on the water (though technically the Roanoke Sound, so only ocean-adjacent), and the elements pervade my memories of the experience. One notable feature of the Sound was that you could walk a few hundred feet into the water and still only be waist deep. I still have a clear memory of wading in the water with friends one crystal clear night, far from any light sources. Looking around, I was overwhelmed with the grandeur of nature as the dark water, occasionally dotted by phosphorescent organisms, stretched seemingly forever below, and the most brilliant, star-speckled sky I had ever seen yawned infinitely above.

When you visit your childhood home, what’s the one thing you always do? This is a bit of a tough question. Partly, because I don’t know of any particular rituals I consciously performed—I enjoyed sitting on the porch, I always drifted into nostalgia reentering my bedroom, etc.—but there wasn’t a specific thing I purposely made sure to do. The other reason it’s a tough question is because in 2016, the home my parents built was sold when my mom moved north to be closer to my brother and me. And, even though it’s been two years, I don’t think it’s really hit me yet that I can no longer return.

Bio: Will Lowry is a multidisciplinary designer with an MFA from UNC Greensboro, and he has been a Creative Partner with Flux since 2011. This is his eighteenth Flux production, the most recent being World Builders (NY & LA). He has completed over 110 scenic, costume, and lighting designs ranging between New York, regional, and academic theatre, and he has worked as an assistant on eleven Broadway productions. He serves as an Assistant Professor of Theatre at Lehigh University. Love to B&P.

Kia Rogers, Lighting Designer

Share a favorite memory of the ocean. I grew up on the coast of North Carolina, and the ocean is my heart. One of the most beautiful memories I can share are with my father. After my parents divorced when I was 5 years old, Weds nights my dad would take me to the beach for dinner and a walk on Johnny Mercers pier. I still remember holding his hand as we would walk down the pier, looking down at the wide weathered boards that spaced out just enough I thought I could slip through. Watching the moon rise and just feeling so special that I was out with my dad for the evening. He made me fall in love with the sea, and I can’t imagine being more than a couple hours drive from the ocean no matter where I live. it is a part of me.

When you visit your childhood home, what’s the one thing you always do? Visit the ocean, I grew up on the coast of North Carolina. It is a beautiful coastline and my heart. At Topsail Beach they have these smooth, round stones that wash up, no one knows exactly why, but my dad loved these stones, especially the round gray ones, he said they reminded him of the moon, so we called them “moon stones”. We would walk along the beach looking for the perfect round ones. I still remember the feel and sound of them in my pockets, sandy and smooth, rolling around in my hands. When I go back I look for one or two stones to take back with me and I keep a collection with me as a reminder of home.

Bio: Kia Rogers – Lighting Designer – Flux Theatre Ensemble creative partner – Her work has been seen at BAM Fisher, 3LD Art & Technology Center, The Gym at Judson, The SoHo Playhouse, Theatre at St. Clement’s, Danspace, St. Luke’s and the 4th Street Theatre. Regional: Thieves by Charlotte Miller in LA. Selkie by Sarah Shaefer in San Francisco. International credits: Associate Lighting Designer for Slutforart/98.6 in Gothenburg, Sweden with Muna Tseng. Tours: The God Box Project with Mary Lou Quinlan, and Soledad Barrio & Noche Flamenca. Awards: Outstanding Lighting Design for Jane The Plain with the NYITA, 2014 and nominated in 2016 for Rizing.

Johana Pan, Costume Designer

Share a favorite memory of the ocean. Basking in the glow of the sun, tasting salt in the air.

When you visit your childhood home, what’s the one thing you always do? Eat my weight in food.

Bio: Johanna Pan is a costume designer from Singapore. Recent credits Ajax in Iraq and Woyzeck (NYU Strasberg). Four Sisters (WWTNS?), Aphrodisiac (Loft 227), Cinderella (Coleytown Middle School), Boom (Stonewater Productions), Fingers & Toes (Plaza Theatre) directed by Bob Moss, Am I? Am (Flea). She worked at Goodspeed Musicals, The Muny, Playwrights Horizons, Signature (DC), Roundabout Theater, Lincoln Center, Primary Stages, Maltz Jupiter Theatre, Alley Theatre, Asolo RePlayhouse, Arena Stage, Steppenwolf, Rattlestick, the Atlantic, amongst others. B.F.A. Ithaca College, IG: @scriptedflowers

Jodi M. Witherell, Production Stage Manager

Bio: Jodi M. Witherell (Stage Manager): was most recently seen as PSM for  Flux’s AM I DEAD? (Flux) and Adam Szymkowiz’s Rare Birds (Red Fern). Favorite credits include: miscellaneous work on The Miracle Worker (Queens Theatre) and Mac Rogers’ Universal Robots and The Honeycomb Trilogy (Gideon Productions); That Which Isn’t (Theater Accident), All Systems Go: Mission 4 (Mission to (dit)Mars); Moby Dick (Fireboat Productions); Marian, or the True Tale of Robin Hood, Rizing, Salvage, Once Upon a Bride…, Jane the Plain, Hearts Like Fists, Deinde, Ajax in Iraq and many others with Flux; as well as shows with The Gallery Players; Avalon Studios; The St. Bart’s Players; Working Man’s Clothes; Pembi Players; Playwright’s Company; Audax Theatre Group; Streetlight Productions and The American Globe Theatre. NYIT Award Winner: Outstanding Stage Manager 2016.

Jaclyn Biskup, Production Manager


Bio: Jaclyn Biskup is a director and producer working in theatre, television, and film. She is the recipient of an Emmy and Peabody nomination for her work on the digital series, THE SECRET LIFE OF MUSLIMS and currently works as an assistant producer at New Ohio Theatre. She has worked on digital projects for PBS NOVA, Delta Air Lines, Caltech, Harvard, and others. Her work in the theatre spans nearly two decades. As the founding artistic director of The Mill, she has directed and produced over 20 productions including the Chicago premieres of A DREAM PLAY (Caryl Churchill), VENUS (Suzan-Lori Parks) and THE PRIVATE OF LIVES OF ESKIMOS (OR 16 WORDS FOR SNOW) (Ken Urban.) In NYC, she produced and directed NICHOLAS, MAEVE, MARIANNE (Matthew Stephen Smith) one of Indie Theatre Now’s 20 Best of NYC Fringe. She has assisted on productions at Steppenwolf, The Public, and The American Musical Theatre Workshop and has a BA in Theater from Northern Illinois University and a MFA in Directing and Theatrical Production from Northwestern University. This summer she will assist Tony Award winning director Anna Shapiro on the Broadway debut of STRAIGHT WHITE MEN (Young Jean Lee.)

Gabriel Caldwell, Technical Director

Share a favorite memory of the ocean. When I was 18, I took a trip to Florida with my dad. I’d never seen the ocean before. The water left so much salt on my skin and I forgot to shower after diving in, so when it dried it felt like my skin was peeling off. Still had a great time, though.

When you visit your childhood home, what’s the one thing you always do? My family moved a lot, so I never really had a childhood home. The home we spent the most time in might be demolished. But when I come to wherever my family is planted at the time, I find the stuff that’s made it through nine houses. Little knick knacks, 8 years of sketchbooks, my grandfather’s pocket knife. I pick them up and put them down, just to check they’re still intact.

Bio: Gabriel Caldwell is theatre technician and general creative based in Brooklyn. This is Gabe’s second show with Flux after working with them on AM I DEAD?.

Matt Carlin, Props Design

Bio: TMatt is a Scenic and Props designer based in Brooklyn. He is originally from Long Island and is currently finishing his final semester at Pace University, studying Production & Design. Scenic Design: The Wild Party (Schaeberle Theater) Polaroid Stories (Schaeberle Theater), Runaways (Schaeberle Theater), South Pacific (TheaterLab), Getting There (Access Theater). Props: The Winter’s Tale (Schimmel Theater), Hair (Schaeberle Theater), Women & Wallace (Schaeberle Theater). Asst. Scenic: Universal Robots (Sheen Center), See What I Wanna See (Schaeberle Theater).

Lauren Girouard, Associate Scenic Designer

Bio: Lauren Giouard is an undergraduate theatre arts and neuroscience student at Furman University in Greenville, SC. Designs for Furman include scenery and lighting for The Birthday Party, and sound for Durang/Durang and Hair. This is her fifth time working on a Flux production. She has also assisted with several other regional and academic designs, including The Adding Machine (College of Southern Nevada), In the Next Room (or the Vibrator Play) (Warehouse Theatre, SC), and Hair (Furman University).

Sienna Gonzalez, Associate Lighting Designer

Bio: Sienna Gonzalez is originally from Culver City, CA, but is now based in New York as a designer/stage manager. She last worked with Flux on Marian. Recent credits include: Phantasmagoria; Or Let Us Seek Death! (La MaMa Experimental Theatre Club; Asst. Stage Manager), Proof (The Producer’s Club; Lighting Designer), and You’re A Good Man, Charlie Brown (The York Theatre Company; Asst. Lighting Designer). She holds a BFA in Design & Production for Stage and Screen from Pace University.



Isaiah Tanenbaum, Photography & Marketing

Bio:  Isaiah Tanenbaum is a Creative Partner at Flux Theatre Ensemble, where he serves as Marketing Director. A graduate of Amherst College, Isaiah lives in Brooklyn with his wife Jessa and their cat, Juno. He takes photographs of actors, plays, weddings, and events, and trains city workers in ethics with the NYC Conflicts of Interest Board. //

Becky Byers, Scenic Design Assistant

Bio: Becky Byers is a Creative Partner with Flux Theatre Ensemble.  With Flux: Dog Act (NYIT Nomination – Featured Actress), Hearts Like Fists (NYIT Nomination – Lead Actress), Once Upon a Bride There Was a Forest (NYIT Nomination – Featured Actress); Jane the Plain. Off-Broadway: Retro Productions’ The Runner Stumbles, co-produced with The Bleecker Company. Regional: Contemporary American Theatre Festival – A Discourse on the Wonders of the Invisible World. NY Theater: Gideon Productions’ Advance Man and Blast Radius in The Honeycomb Trilogy, Kill Shakespeare; Vampire Cowboys’ Geek!; Becky is a 2010 Person of the Year. Love to W&P.

Rachael Hip-Flores, Marketing Assistant

Bio: With Flux: World Builders, Salvage, Once Upon a Bride, Sans Merci, Hearts Like Fists, DEINDE, FoodSoul: Goldsboro, ForePlay: New World Iliads, several Have Anothers. Selected Theater: Cymbeline (Imogen, Judith Shakespeare Co), Eschaton Cabaret, Trying (World Premiere), Much Ado About Nothing (Shakespeare’s Globe), readings at the Public and Cherry Lane Theaters, and with Harvey Fierstein, Kristen Johnston, Lee Tergesen, Reed Birney, and Lynn Nottage. Selected Webseries: Anyone But Me (Winner, Best Lead Actress -IAWTV, Streamy, Indie Soap Awards), Good People in Love (Best Lead Actress in a Drama, Indie Intertube Award Nominee), Upcoming: Producing Juliet. Selected Film/TV: Gossip Girl, Lucrecia (HBO New York Latino Film Festival, San Diego Latino Film Festival).Directing: The Little Dog Laughed (St Francis College). Assistant Directed Eva, the Chaste (Theater Row), Beyond the Pale (1st Irish Theater Festival), Rape of the Lock (Duo Theater). Training: BFA, Mason Gross School of the Arts, Rutgers University.

Sound Designer: Megan “Deets” Culley
Assistant Prop Designer: Caspin Jones
Assistant Costume Designer: E.L Hohn
Wardrobe Crew: Najiyah Jones, Karila Warner
Master Electrician: Asa Lipton
Flux Theatre Ensemble Creative Partners (not already listed above): Sol Crespo, Lori Parquet, Chinaza Uche